"Draw in a single, unbroken line and don’t look back at the drawing until you are finished." Without looking down at the paper, trace your eye around your subject, following its edges and contours, and as you do so, let your pencil follow the same journey on the paper," explains Spicer. "Set up a subject in front of you and fix your eye on the top of it, placing your pencil on your paper. One common exercise to start out with is blind contour drawing. Then right-handers should work left to right, and lefties move right to left. Essentially you don't want to be resting your hand on areas you've already drawn, which means that unless you have an unusual pencil grip, you want to be working top to bottom. However, planning which area of the composition you work on first can help. Pencils are prone to smudging, and the softer they are, the more difficult it is to keep things clean. "I strongly believe in letting intuition take over in the creation process, so I work with the underdrawing more as a guideline," continues Von Reuden. Either way, make sure this acts as a foundation rather than a strict guide. Alternatively, you could use a digital underdrawing, printed at 1 per cent Opacity. "Having a more fluid foundation helps you see the end result without the intimidating commitment of getting everything perfect," says artist Timothy von Reuden.įor a pencil underdrawing, make sure you use a hard lead (around 2H) to ensure the lines are light and easy to erase. Many artists prefer to start their pencil drawing by laying out the scene with a rough, light underdrawing – this can be especially useful if the end game is a precise line drawing. The underdrawing should be a guide, but use your intuition (Image credit: Timothy von Reuden)
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